Shakespeare's Language
Friends, Romans, countrymen, lend me your ears;I come to bury Caesar, not to praise him.The evil that men do lives after them;The good is oft interred with their bones. — Julius Caesar, Act III, sc. ii
The most striking feature of Shakespeare is his command of language. It is all the more astounding when one not only considers Shakespeare's sparse formal education but the curriculum of the day. There were no dictionaries; the first such lexical work for speakers of English was compiled by schoolmaster Robert Cawdrey as A Table Alphabeticall in 1604. Although certain grammatical treatises were published in Shakespeare's day, organized grammar texts would not appear until the 1700s. Shakespeare as a youth would have no more systematically studied his own language than any educated man of the period.
Despite this, Shakespeare is credited by the Oxford English Dictionary with the introduction of nearly 3,000 words into the language. His vocabulary, as determined from his works, numbers upward of 17,000 words (quadruple that of an average, well-educated conversationalist in the language).
Shakespeare's English, in spite of the calamitous cries of high school students everywhere, is only one linguistic generation removed from that which we speak today. Although the Elizabethan dialect differs slightly from Modern English, the principles are generally the same. There are some (present day) inconsistencies with prepositions and verb agreement, and certainly a number of Shakespeare's words have shifted meanings or dropped, with age, from the present vocabulary. Word order, as the language shifted from Middle to Early Modern English, was still a bit more flexible, and Shakespeare wrote dramatic poetry, not standard prose, which gave some greater freedom of expression. However, Elizabethan remains a sibling of our own language, and therefore, accessible.
This facility with language, and the art with which he employed its usage, is why Shakespeare is as relevant today as he was in his own time.
The course of true love never did run smooth. — A Midsummer Night's Dream, Act I, sc. i
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